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~~ Free PDF The Bronte Cabinet: Three Lives in Nine Objects, by Deborah Lutz

Free PDF The Bronte Cabinet: Three Lives in Nine Objects, by Deborah Lutz

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The Bronte Cabinet: Three Lives in Nine Objects, by Deborah Lutz

The Bronte Cabinet: Three Lives in Nine Objects, by Deborah Lutz



The Bronte Cabinet: Three Lives in Nine Objects, by Deborah Lutz

Free PDF The Bronte Cabinet: Three Lives in Nine Objects, by Deborah Lutz

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The Bronte Cabinet: Three Lives in Nine Objects, by Deborah Lutz

An intimate portrait of the lives and writings of the Brontë sisters, drawn from the objects they possessed. In this unique and lovingly detailed biography of a literary family that has enthralled readers for nearly two centuries, Victorian literature scholar Deborah Lutz illuminates the complex and fascinating lives of the Brontës through the things they wore, stitched, wrote on, and inscribed. By unfolding the histories of the meaningful objects in their family home in Haworth, Lutz immerses listeners in a nuanced re-creation of the sisters' daily lives while moving us chronologically forward through the major biographical events: the death of their mother and two sisters, the imaginary kingdoms of their childhood writing, their time as governesses, and their determined efforts to make a mark on the literary world.

From the miniature books they made as children to the blackthorn walking sticks they carried on solitary hikes on the moors, each personal possession opens a window onto the sisters' world, their beloved fiction, and the Victorian era. A description of the brass collar worn by Emily's bull mastiff, Keeper, leads to a series of entertaining anecdotes about the influence of the family's dogs on their writing and about the relationship of Victorians to their pets in general. The sisters' portable writing desks prove to have played a crucial role in their writing lives: it was Charlotte's snooping in Emily's desk that led to the sisters' first publication in print, followed later by the publication of Jane Eyre and Wuthering Heights.

Charlotte's letters provide insight into her relationships, both innocent and illicit, including her relationship with the older professor to whom she wrote passionately. And the bracelet Charlotte had made of Anne and Emily's intertwined hair bears witness to her profound grief after their deaths. Lutz captivatingly shows the Brontës anew by bringing us deep inside the physical world in which they lived.

  • Sales Rank: #4483290 in Books
  • Published on: 2016-01-19
  • Formats: Audiobook, MP3 Audio, Unabridged
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.75" h x .50" w x 5.25" l,
  • Running time: 9 Hours
  • Binding: MP3 CD

Review
“[E]xponentially raise[s] the Brontëan stakes…. The Brontë Cabinet makes a powerful case for the value of the material world, personally and culturally, then and now.” (Rebecca Steinitz - Boston Globe)

“[Lutz] leaps between objects and disciples to craft an unusual cultural history―not just about a family of authors but about reading itself…. With deft care, Lutz weaves her authors back into their daily contexts, and from there, the stories they crafted speak even more urgently across time.” (Tess Taylor - Christian Science Monitor)

“Lutz's insights…prove fascinating…. In honoring keepsakes’ power to open history’s gates, works like The Brontë Cabinet also offer a useful corrective to our current culture’s emphasis on virtual reality.” (Danny Heitman - Wall Street Journal)

“The Brontë Cabinet yields up all sorts of fascinating new angles on the famous siblings…illuminating.” (Maureen Corrigan - Fresh Air)

“Brontë aficionados will enjoy the deft interweaving of artifact, biography and literature, but the greatest pleasure is the expanding chain of associations Lutz creates in each chapter…. The Brontë Cabinet is an engaging read for fans of the Brontë sisters, of course, but also anyone interested in material culture, the Victorian era and the history of everyday lives―especially women’s lives.” (Patricia Hagen - Minneapolis Star Tribune)

“Fresh and enlightening…this book is an exceptionally intimate study of the three sisters; through it we look into the most private corners of the parsonage…. Faultlessly researched and evocatively written.” (Rachel Trethewey - The Independent (UK))

“Deborah Lutz’s engaging new study…allows us to feel the texture of the Brontës’ experience…. She pulls off the hardest trick in literary biography: to make us feel that we know the subjects intimately, and, simultaneously, to make the familiar strange.” (Lucasta Miller - The Guardian (UK))

“Astonishing…brimful of meticulous details, observant asides and anecdotes…. The various items…perform some sort of magic, transporting readers into the domestic life of the Brontës…. This is a fine book, rich, immersive and illuminating, glowing with the life of the Brontës and their wild genius.” (Shahidha Bari - Times Higher Education)

“The Brontë Cabinet is full of illuminating and original insights, bringing aspects of the Brontës’ lives into sharp focus for the first time.” (Mark Bostridge - Literary Review (UK))

“Lutz skillfully uses the titular nine objects to explore the relationship between the sisters’ world and their fiction…. Lutz commends Emily [Bronte] for her ‘visceral engagement with her subject matter,’ and the same could be said of Lutz in this illuminating biographical study.” (Publishers Weekly)

“A passionate, intelligent and stylish book. Deborah Lutz works a kind of magic around the Brontes' possessions and evokes their lives, works and legacies more vividly than ever. A brilliantly original study that all Bronte lovers will want to read.” (Claire Harman, author of Jane’s Fame: How Jane Austen Conquered the World)

“[B]rings the Brontës to life by performing a magical investigation of the objects surrounding them. Deborah Lutz exercises a dowser’s wondrous rigor; with erudition, deep feeling, and an almost mystical sense of an inanimate object’s communicativeness, she pioneers a new way of looking at detritus and keepsakes, and a new way of writing biography.” (Wayne Koestenbaum, author of My 1980s & Other Essays)

About the Author
Deborah Lutz’s books include Pleasure Bound: Victorian Sex Rebels and the New Eroticism and Relics of Death in Victorian Literature and Culture. A professor of English at Long Island University, she lives in Brooklyn, New York.

Most helpful customer reviews

10 of 10 people found the following review helpful.
A rather slanted framed look at the Brontës and the 19th century
By Elspeth G. Perkin
Say the name "Brontë" out loud in a crowded room and you are bound to get a mixed palette of faces and comments. Some may be polite and not comment while others give a cryptic reaction that you can read as boredom and maybe a hint of aversion and then there's the select group whose eyes gleam with excitement and hope the announcer wants to discuss everything and anything pertaining to the Brontës' works, lives and 19th-century England. I proudly fall into that final class and if anyone were to glance at my home bookshelf they will know I adore the works of the Brontë sisters; particularly Wuthering Heights and Agnes Grey. I could never tire of the elaborate beautiful words and characters in those pages and I eagerly search for anything resembling these novels or some new tidbit of trivia about the family to treasure. So when I saw The Brontë Cabinet: Three Lives in Nine Objects was available as an audio book on Audible and listened to a snippet of the narration; I knew I found my next companion for the late work nights to come.

Although the narrator's voice inviting and perfectly matched for this book; I'm not so sure about the whole experience and subject matter unfortunately. It may come down to expectations and personal preference but I'm very sorry to say, this work was too skewed and harbored uncomfortable obsession on certain topics for this eager listener. To be frank, there was an odd fixation on finding and loosely looping objects to eroticism and controversial theories and although a creative and inquisitive imagination was clearly evident that fashioned some captivating narrative styled chapters, too much speculation was presented at certain points that had me shaking my head in disappointment by the end. Again it may come down to personal preference but it almost seemed the author was determined to push her own views and theories forward which is fine if stated forthright but I personally wasn't ready for that and it seemed this book was trying to be something else and had an unpleasant slant to it. There was also the objects that were examined in this book themselves, I couldn't help to be somewhat disappointed in the selection. Some of the personal keepsakes: a workbox, writing desk, dog collar, hair bracelet and collection of ferns were fascinating to listen about, and the way the inside walls of the Brontë family would open to the outside 19th century in this book kept me eagerly leaned forward to hear more. Unfortunately, other objects didn't seem to be as interesting and those parts loosely tied to the Brontës or their novels.

Negatives aside, there was a trove of trivia to gather in The Brontë Cabinet: Three Lives in Nine Objects and I loved the discussions, quotes and side notes on the novels throughout this non-fiction title. I also enjoyed the narrative fashioned sections and coupled with the voice of the audio version, I could imagine walking under the low gray sky and into the small home of the Brontës, seeing their daily lives play out in front of me. It was very easy to fall away from the real world at those parts and someday I plan to see the Brontë Parsonage Museum and explore the infamous moorlands and pick some heather. I also plan to seek out more biographies and of course plan to reread my favorites when the weather outside my windows mirrors the settings in those beloved stories. The Brontë Cabinet: Three Lives in Nine Objects may have presented as a slightly slanted framed look at the Brontës and 19th century for me but I would still recommend this audio version for those who fall into that third class of excited literary admirers- you know who you are and I'll see you on the moors.

10 of 10 people found the following review helpful.
Please Open The Brontë Cabinet!
By Review
Charlotte Brontë once wrote “the writer who possesses the creative gift owns something of which he is not always master—something that at times strangely wills and works for itself.” After reading Deborah Lutz’s The Brontë Cabinet I can attest that not only does she possess the “creative gift” for writing, but that she is also a master of it. Always wary of yet another book on a life (or in this case, lives) already too well-documented, too well-analyzed, I stepped up to The Brontë Cabinet with trepidation, pondering that age old literary biography question, will there be anything new to be found here? Will I learn anything I don’t already know? What more about Charlotte, Emily, and Anne is there to discover? Well, in Ms. Lutz’s hands quite a lot more. Subtitled Three Lives in Nine Objects (actually three and a half as brother Branwell’s sadly fractional existence is considered too), Ms. Lutz takes up the intriguing notion of examining the lives and works of the sisters in the bits and pieces and odds and ends that they’ve left behind and takes flight with it. Evidently born with the gift of psychometry (the divination of the intimate details of a life through touch), Ms. Lutz conjures the Brontës into being using such diverse household articles as dog collars, woven braids of hair, and albums of dried ferns. Ms. Lutz’s research is amazing and comprehensive, her opinions and views on the sisters and their books truthful and enlightening (I’ve learned to see Wuthering Heights in a whole new light). Each chapter stands out on its own, from the gentle, loving humor of "Keeper, Grasper, and Other Family Animals" to the pathos of "Migrating Relics" and the chapter "The Alchemy of Desks" was marvelously eye-opening, concerning something most would dismiss as merely nothing more than another piece of domestic furniture. And I never knew that writing paper could be so fascinating! Brava, Ms. Lutz! The Bronte Cabinet was a delight from start to finish.

8 of 8 people found the following review helpful.
On Holy Ground: A Course in Bronte-Saurian Archeology
By Steve Harvy Sittenreich
THE BRONTE CABINET is a virtual archaeological dig on the sacred ground of the four Brontes (Branwell, Charlotte, Emily, and Anne). Professor Deborah Lutz is one of the world's greatest authorities on the Victorian Age and her knowledge of the Brontes is not inferior to that of Juliet Barker or any other Brontean. This book is written humbly and with nobility of spirit and it is comparable to books by Dominic Crossan that take us on an archaeological tour of the Palestine area in order to excavate Jesus and Paul. Verily, wherever the four Brontes lived and died is sacred ground. The swiftness of their passage on this earth is in itself suggestive of saint's lives-- St Catherine of Siena, St Catherine of Liege, Shankara, Vivekananda, Simone Weil. Rabbi Nachmann of Breslau, St Francis of Assisi.

I suspect that the immediate inspiration for this beautiful work is Neil MacGregor's HISTORY OF THE WORLD IN 100 OBJECTS and Tom Standage's HISTORY OF THE WORLD IN SIX GLASSES. These in turn derive-- at least superficially-- from Foucault's ARCHAEOLOGY OF KNOWLEDGE. The basic idea in all of these is that we need to periodically dig up the past all over again in order to determine if we really have our facts straight as well as the superstructure of interpretations that rest on them. THE BRONTE CABINET is one of a number of new studies of history and collective biography that go back to a ground zero.

Dr Lutz's strong theory that Catherine Earnshaw's bed/cabinet contraption is a "portal" to another universe opens up possibilities. Here, as she points out, C S Lewis probably got his idea for the passage into Narnia and perhaps George MacDonald himself got the idea of the four dimensional mirror in the early chapters of LILITH. Dr Lutz is able to go deep into any Bronte text and connect the dots in amazing ways.

I recommend THE BRONTE CABINET because it makes such a strong case for the immortality of Emily and Charlotte-- and who will ever know the true role of Branwell as Emily's possible collaborator (and model for certain characters). Anne on the other hand, gave some interesting variations on such central tropes as the governess and the mistreated wife. Perhaps she too was some kind of missing link/catalyst.

So dig in to THE BRONTE CABINET. You will benefit from seeing the Brontes from some unexpected angles which will reinforce what we know about one of history's most extraordinary families.

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