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Wolf-Women and Phantom Ladies: Female Desire in 1940s US Culture (SUNY series in Feminist Criticism and Theory), by Steven Dillon
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2015 CHOICE Outstanding Academic Title
Provides encyclopedic coverage of female sexuality in 1940s popular culture.
Popular culture in the 1940s is organized as patriarchal theater. Men gaze upon, evaluate, and coerce women, who are obliged in their turn to put themselves on sexual display. In such a thoroughly patriarchal society, what happens to female sexual desire? Wolf-Women and Phantom Ladies unearths this female desire by conducting a panoramic survey of 1940s culture that analyzes popular novels, daytime radio serials, magazines and magazine fiction, marital textbooks, Hollywood and educational films, jungle comics, and popular music. In addition to popular works, Steven Dillon discusses many lesser-known texts and artists, including Ella Mae Morse, a key figure in the founding of Capitol Records, and Lisa Ben, creator of the first lesbian magazine in the United States.
“This exciting book presents a truly capacious understanding of US culture and offers a spectacular array of analyses of how the decade’s cultural discourse struggled to define female desire and how so much male literature and filmmaking sought to constrain it. Dillon’s study will teach scholars of modern American literature and culture a great deal more about the 1940s than they already know or think they know. It is a brilliant addition to the field.” — Gordon Hutner, author of What America Read: Taste, Class, and the Novel, 1920–1960
- Sales Rank: #3038166 in Books
- Published on: 2016-01-02
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .83" w x 6.00" l, .0 pounds
- Binding: Paperback
- 332 pages
Review
This exciting book presents a truly capacious understanding of US culture and offers a spectacular array of analyses of how the decade s cultural discourse struggled to define female desire and how so much male literature and filmmaking sought to constrain it. Dillon s study will teach scholars of modern American literature and culture a great deal more about the 1940s than they already know or think they know. It is a brilliant addition to the field. Gordon Hutner, author of "What America Read: Taste, Class, and the Novel, 1920 1960""
Dillon provides a fascinating analysis of female sexuality in the 1940s as depicted in a truly diverse array of mostly popular culture productions, including popular novels, radio serials, commercial and educational films, and comics Highly recommended. "CHOICE"
This exciting book presents a truly capacious understanding of US culture and offers a spectacular array of analyses of how the decade s cultural discourse struggled to define female desire and how so much male literature and filmmaking sought to constrain it. Dillon s study will teach scholars of modern American literature and culture a great deal more about the 1940s than they already know or think they know. It is a brilliant addition to the field. Gordon Hutner, author of "What America Read: Taste, Class, and the Novel, 1920 1960""
About the Author
Steven Dillon is Professor of English at Bates College and the author of Derek Jarman and Lyric Film: The Mirror and the Sea and The Solaris Effect: Art and Artifice in Contemporary American Film.
Most helpful customer reviews
1 of 1 people found the following review helpful.
This is an excellent analysis of the way female desire was portrayed in ...
By J. Frankel
This is an excellent analysis of the way female desire was portrayed in 1940s popular culture. Dillon unearths some material that has been known to Queer and feminist studies, like Lisa Ben's hand-typed lesbian newsletter, and other books, radio shows and magazines largely ignored or lost to the world. The wolf-women and phantom ladies of the titles are the two stereotypes that dominated the decade. One of Dillons innovations is to treat the entire period as a whole, and not divide into the prewar, war and postwar. Despite a thoroughly documented dominant culture of male sexual liberation and female servitude Dillon shows that some women , in a variety of fields, were well aware of their situation. The book is not theory heavy and is well written in a lively prose. His discussion of the role of psychological theory in American popular culture, and the conflicts between them is particularly interesting as psychoanalysis is challenged by Alfred Kinsey's books and the emerging literature of anthropology, especially Margaret Meade. Of course, these altyernate theories are assimilated easily into the mainstream discourse. Dillon is not monolithic in his thinking and his book opens up much for future consideration, especially the rich area of women's fiction and the increasingly open portrayal of sex, which was nevertheless still concealed by suggestion as censorship laws were in full affect, and would not be broken down until the 1960s. Yet all of the later obsessions are on view, if partially clothed. The forties were the incubator of the conflicts in American society that would dominate the culture wars of the second half of the century, including the Civil Rights and anti-war movements, but also, crucially, the Women's and Gay Rights movements.
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