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“Read it. You will be uplifted.”―Ruth Ozeki, Zen priest, author of A Tale for the Time Being
Marie Mutsuki Mockett's family owns a Buddhist temple 25 miles from the Fukushima Daiichi nuclear power plant. In March 2011, after the earthquake and tsunami, radiation levels prohibited the burial of her Japanese grandfather's bones. As Japan mourned thousands of people lost in the disaster, Mockett also grieved for her American father, who had died unexpectedly.
Seeking consolation, Mockett is guided by a colorful cast of Zen priests and ordinary Japanese who perform rituals that disturb, haunt, and finally uplift her. Her journey leads her into the radiation zone in an intricate white hazmat suit; to Eiheiji, a school for Zen Buddhist monks; on a visit to a Crab Lady and Fuzzy-Headed Priest’s temple on Mount Doom; and into the "thick dark" of the subterranean labyrinth under Kiyomizu temple, among other twists and turns. From the ecstasy of a cherry blossom festival in the radiation zone to the ghosts inhabiting chopsticks, Mockett writes of both the earthly and the sublime with extraordinary sensitivity. Her unpretentious and engaging voice makes her the kind of companion a reader wants to stay with wherever she goes, even into the heart of grief itself.
- Sales Rank: #124354 in Books
- Published on: 2016-01-18
- Original language: English
- Number of items: 1
- Dimensions: 8.30" h x .90" w x 5.50" l, .0 pounds
- Binding: Paperback
- 336 pages
Review
“An intriguing . . . travelogue through a landscape of Japanese spiritual belief, with forays into history, folklore, and memoir. [Mockett] has the ability, fully available only to those on the margins, “to see through more than one set of eyes, if one learns to pay attention to one’s environment.” It is this gift of double-sightedness, of bringing to bear both the “dry” rationality of the West and the “sticky” sensibilities professed by the Japanese, that makes this the most interesting book so far to have come out of the disaster.” (Richard Lloyd Parry - New York Times Book Review)
“A fascinating, wide-reaching exploration.” (San Francisco Chronicle)
“Affecting . . . effectively evokes the beauty of Japanese culture and the sorrow that swept the country in the tsunami’s wake.” (San Jose Mercury News)
“Mockett skillfully knits together a portrait of loss and recovery, pulling together many individuals’ experience of grief into a collective search for peace.” (Minneapolis Star Tribune)
“An illuminating journey into grief and Japanese culture, a place that few would dare to venture.” (The Japan Times)
“Marie Mockett brought me into the high drama of the tsunami, through her most personal landscape, and into the awe of the eternal.” (Luis Alberto Urrea, Pulitzer Prize finalist for The Devil's Highway)
“This illuminating journey through loss, faith, and perseverance . . . gives the reader a rare view into one of the richest death cultures in the world.” (Library Journal, Starred review)
“Richly layered in culture and insight, Mockett takes us on a compelling and illuminating journey of the heart and soul.” (Gail Tsukiyama, author of A Hundred Flowers)
“A beautiful tale that is part evocative travelogue and part lyrical meditation on grief, this soulful and haunting book made me cry in a way I like to cry when reading a good book.” (Heidi W. Durrow, New York Times best-selling author of The Girl Who Fell from the Sky)
“What a remarkable and moving book about traveling from one land to another, and learning different ways of coming to terms with death amid life. Engrossing and powerful, it speaks volumes about the many ways people grieve and live.” (Will Schwalbe, author of the New York Times bestseller The End of Your Life Book Club)
About the Author
Marie Mutsuki Mockett’s novel Picking Bones from Ash was shortlisted for the 2010 Saroyan Prize and the Asian American Literary Awards for Fiction and was a finalist for the Paterson Prize. She has written for the New York Times, Salon, National Geographic, and other publications. She lives in San Francisco.
Most helpful customer reviews
21 of 22 people found the following review helpful.
Haunting and beautiful... I loved following Mockett's every step on this powerful journey through grief and healing
By SandmanVI
A beautiful and haunting memoir of a Japanese-American woman coming to terms with deep personal tragedy in the wake of the 2011 Japanese tsunami disaster.
Within a brief span of time, Marie Mutsuki Mockett suffers the unexpected losses of her American father and her maternal Japanese grandparents then is struck by the news of the Fukushima tsunami disaster devastating the home region of her Japanese family. Mockett traveled frequently to this area from early childhood and throughout her life coming to know and love it, so she fears not only for her family’s safety but for an entire way of life. She worries that it will be impossible for her to pass along to her young son the rich cultural heritage that her mother had passed down to her. It is with all of this weighing on her mind and spirit that Mockett courageously decides to head to Japan to confront her grief directly in the hopes of finding true wisdom from Buddhism, Shintoism, ancient Japanese rituals, or simply the collective grieving of the Japanese themselves. What follows is a moving journey of pilgrimages to Buddhist temples of various sects and a myriad of spiritual locations while encountering an extraordinary cast of characters along the way from eccentric monks to blind female mediums (otaku) who connect the grieving to the dead.
It is clear throughout that we are being guided on our journey by a brilliant writer. Mockett’s writing style is nuanced and lyrical while always remaining unpretentious, never overcomplicated with any unnecessary clutter. There is a Zen-like elegant beauty in the simplicity at work here befitting the Japanese culture and landscapes through which Mockett leads us. But what is truly endearing is that she always travels with an open mind and heart only hoping to learn and grow from each new experience. Though she herself is suffering greatly, Mockett is culturally sensitive and ever empathetic to those she meets during her voyage. Despite this deep respect and sensitivity, the writer is still in many ways an outsider because she is only half-Japanese. However this cultural distance can be an advantage to the reader as it allows Mockett some Western objectivity with which to observe all that transpires.
Professional reviews of the book are extremely positive (and deservedly so), though I have seen one that commented that the story at times “rambles” or is confusing to follow. I couldn’t disagree more. For me Mockett’s nonlinear approach echoes the mysterious ways in which the human heart and mind work to come to terms with overwhelming loss. Grief does not follow a logical process; neither should a memoir of a real woman dealing with the combined losses of her father, grandparents, and potentially an entire culture that she fell in love with as a child and considered a second home.
Clearly I loved this book. And I can’t imagine a more perfect guide for this journey. Kudos to Marie Mutsuki Mockett! I look forward to following her again someday.
ACCOLADES:
The Library Journal gave the book a starred review – a true honor for any author.
Barnes and Noble has named it a Discover Pick for Spring 2015.
I am certain that many more nominations and awards will follow… don’t miss this excellent book or writer.
15 of 16 people found the following review helpful.
a great deal of the book focuses on Buddhism in all ...
By Penelope Knackerbrod
Not knowing much about the book other than it was about grief and Zen Buddhism, and nothing at all about the author, I went to a reading of it. Mockett read an excerpt, and I found that my fears of New Age-ism and "Eat, Pray, Love" fetishization and egotism were totally unfounded. This is much more than just a memoir; it's a history book, a book on Japanese culture, and on religion as well. Mockett does an incredible job of providing the necessary context for her experiences, (historical, cultural, and personal), seamlessly weaving in her own valuable insights that never judge or recoil from her encounters; it's a work that humanizes rather than objectifies Japanese culture, which I found refreshing. You could say she has no other choice; many of the people she writes about aren't strangers, they're her relatives, family friends, and co-workers.
Surprisingly (to me), a great deal of the book focuses on Buddhism in all its variations in Japan. I was struck by the many perceptive thoughts the author had on meditation and specifically, Zen, (not least of which because I, too, have had eerily similar thoughts and experiences, both in personal practice and academic study of Buddhism, and had thought I was completely alone in them). These were deep insights, worded concisely, simply, on the transformative effects of practicing meditation and ritual that serious practitioners will recognize as a product of great sincerity and thoughtfulness. There's also a total absence of the trendiness of injecting "mindful" rhetoric into her writing, for which I was very grateful. There's far too much writing on Buddhist meditation in the West that loves to abstract to the extreme the usefulness of such a practice. Mockett in her simple, direct way provides many examples of the quotidian, unpretentious benefits of Buddhism for people, even those in great personal distress, to illuminating effect.
After finishing the book, I did look at some of the reviews. The NY Times review was puzzling to me, mostly because of the value judgments of Japanese cultural practices, the criticism about Mockett's insights and the structure of the narrative and ending, (I might be doing a "Brian Williams" and be misremembering, but I recall her speaking about how time and stories are not necessarily linear in Japanese storytelling, and that endings don't have be neatly packaged, happy affairs, which directly influenced how she conceived of this memoir and was a very deliberate choice.). Lastly, I think the reviewer was wrong--those who have passed on aren't "invisibly present," they can be very visibly still with us.
9 of 9 people found the following review helpful.
So Interesting....
By Alison D D
I received this book for free through Goodreads Fist Reads
After her Grandfathers death, the author who is ½ Japanese and whose family owns a Buddhist Temple just 25 miles from the Fukushima Daiich nuclear plant, decides to go back to visit after the earthquake and tsunami that took many lives on March 11, 2011. The plant which was damaged in the tsunami as well, started to leaked radiation causing the area to become an unsafe place for people to return. Not having been able to bury her Grandfathers bones at the time of his death, she had to wait for a time where they could once again dig in the soil. The author was also still morning the death of her father who had died three years earlier, so she decides to study how the Japanese deal with grief , which she hopes will help her with hers as well. From visiting different Obon Ceremonies (The Festival of Souls is a Buddhist celebration. The Japanese believe that during this period the souls of their ancestors return to their homes on earth. This is the time when people can guide and help their ancestors' spirits to find peace.) to experiencing many different Buddhist ceremonies, and rituals. From the many Temples and their priest that she talks to, and how each of them is helping their community deal with their grief. This book delves into the history of japan and Buddhism, its traditions,religion, folklore and the respect the people have for these traditions.
I love Buddhas and have them all through my house, but I now see that I do not really know that much about Buddhism, from Zen, Pure Land to Shingon, it was a fascinating look into its history and what it stands for.
While there, the author was quite often told that since she was only ½ Japanese, and even though she knows the language, that she would not be able to completely understand the culture, people, food etc. as she was considered a foreigner.
Very complex and full of great knowledge, this book was a very exciting read. If you are interested in Buddhism or the Japanese culture, or just want to learn about other cultures, this book is for you.
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